The Tools Of Ritual Magick
Formal ritual magick requires its own special tools. These may be real or symbolic.
The list I give here is intended only as a guide: some of these may not be relevant to your own way of working. I have listed the areas of the circle in which each tool is traditionally placed. There are many sources of magical tools and, as I mentioned in the section on spells, you may already have a number in your home. You do not need to spend a great deal of money unless you wish, but I would suggest that you take time in finding the right items. Even if you work in a group, you may like to build up a set for your own personal work.
Some people prefer to make their own magical tools and this certainly does endow them with energies. I have suggested books that tell you how to make your own candles for special ceremonies and even your own knife. Woodcarvers are an excellent source for small staves suitable as wands and will often make items to order. In time, you will build up a collection of items and by personalising and charging them, you make them not only powerful, but also your own.
Keep your magical tools in a special place, separate from your everyday household items, wrapped in a natural fabric. You can buy excellent hessian bags and may wish to keep fragile or items that will scratch in separate ones. You can also use silk. Secure your bags with three protective knots.
You may have heard various warnings about needing to destroy charged tools on the demise of the owner, and the dire consequences of their being touched by any outsider. This is real late-night-cinema stuff. But common sense dictates that you should not leave knives, sharp wands, etc. where children might harm themselves and on the whole it is better to keep magical items away from the curious and the sceptical.
There is really no reason why you should not use your kitchen knife for cutting vegetables and then, after a quick purification in water or incense, chop herbs in an impromptu spell, or open your circle with it. But on the whole it is better to keep a separate knife for your special ceremonies.
I believe that even formal tools are like electrical devices that are lying unplugged and unused: they contain the potential to help or harm only if misused. What is more, without your personal vibes, which act as your password, the power cannot flow; you have not created an independent life form.
The following tools are commonly used in formal magick.
An athame is, quite simply, a ceremonial knife. It is one of the ritual tools that entered the tradition through the influence of magicians and witches who set out the wisdom, mainly at the beginning of the twentieth century and in the upsurge of covens during the 1950s. Gerald Gardener, one of the founding fathers of Wicca, considered ritual knives and swords of prime importance in modern formal witchcraft.
You can obtain an athame from a specialist magical shop, but as I said before, any knife – even a letter opener – will do, although it should preferably have a silver-coloured blade. Athames are traditionally double-edged and black-handled, but a single-edged blade is better if you are new to magick, to avoid unintentional cuts.
There is a vast array of scouting and craft knives available, with black wooden handles on which you can engrave magical symbols such as your zodiacal and planetary glyphs with a pyrographic set obtained from an art shop. You can also paint moons, stars, spirals, suns, or crosses with silver paint. I use a curved-bladed knife with a silver engraved scabbard, which I bought from a souvenir shop in Spain.
The athame is set in the East of the altar and represents the element of Air. Like the sword, it is traditionally used for drawing magical circles on the ground and directing magical Air energies into a symbol. When you are casting a circle, you can point your athame diagonally towards the ground, so that you do not need to stoop to draw (which is not very elegant and bad for the back). With practice, the movement becomes as graceful as with a sword.
The athame can also be used as a conductor of energy, especially in solitary rituals, being held above the head with both hands to draw down light and energy into the body. This uses the same principle as that of arching your arms over your head to create a light body as described on page 124. One method of releasing the power is then to bring the athame down with a swift, cutting movement, horizontally at waist level, then thrust it away from the body and upwards once more to release this power. If others are present, direct the athame towards the centre of the circle. After the ritual you can drain excess energies by pointing the athame to the ground.
An athame may be used to invoke the elemental Guardian Spirits by drawing a pentagram in the air and for closing down the elemental energies after the ritual. With its cutting steel of Mars, it is effective in power, matters of the mind, change, action, justice, banishing magick, protection and for cutting through inertia and stagnation. The athame is sometimes also associated with the Fire element.
If you don’t like the idea of a full-sized athame, there are some lovely paper knives in the shape of swords or with animal or birds’ heads.
Some covens give each of their members a tiny athame, to be used for drawing down energies during ceremonies. The main athame is used by the person leading the ritual who may draw the circle, open all four quarters and close them after the ritual.
An athame with a white handle is used for cutting wands, harvesting herbs for magick or healing, carving the traditional Samhain jack-o’-lantern, and etching runes and other magical or astrological symbols on candles and talismans. Some practitioners believe that you should never use metal for cutting herbs but instead pull them up, shred them and pound them in a mortar and pestle, kept for the purpose. Pearl-handled athames are considered to be especially magical.
Like the athame, the sword stands in the East of the circle as a tool of the Air element. Swords are the suit symbol of Air in the Tarot and are also one of the Christian as well as the Celtic Grail treasures.
Each of the Tarot suits and the main elemental ritual items in magick, represented by these four suits, is associated with one of the treasures of the Celts. The treasures belonged to the Celtic Father God, Dagda, and are said to be guarded in the Otherworld by Merlin. There were 13 treasures in total, but four have come into pre-eminence in magick and Tarot reading.
These four main sacred artefacts – swords, pentacles, wands and cups, or chalices – have parallels in Christianity and were associated with the legendary quest of the knights of King Arthur, who attempted to find them. The Grail Cup was the most famous of these. The Christian sword of King David, identified in legend with Arthur’s sword Excalibur, appears in Celtic tradition as the sword of Nuada whose hand was cut off in battle.
With a new hand fashioned from silver, he went on to lead his people to victory. According to one account, the Christian treasures were brought in AD 64 to Glastonbury in England by Joseph of Arimathea, the rich merchant who caught Christ’s blood in the chalice as He was on the cross and took care of His burial after the crucifixion.
Some present-day, peace-loving witches, myself included, do not really like the concept of using swords, even though they are pretty spectacular for drawing out a circle on a forest floor, and swords are rarely used in home ritual magick. If you do want to use one, however, you can obtain reproduction ceremonial swords.
The sword is the male symbol to the female symbol of the cauldron, and plunging the swords into the waters of the cauldron can be used in love rituals and for the union of male and female, god and goddess energies as the culmination of any rite. However, the chalice and the athame, or wand, tend to be used for the same purpose, unless it is a very grand ceremony.
The bell stands in the North of the circle and is an Earth symbol. It is an optional tool and can be made from either crystal or protective brass. Best for magick is the kind that you strike.
The bell is traditionally rung nine times at the beginning and close of each ritual; the person ringing the bell should stand in the South of the circle, facing North. (Nine is the magical number of completion and perfection.) It is also rung to invoke the protection of angels or the power of a deity and in ceremonies to welcome departed members to the circle. You can also sound the bell in each of the four elemental quadrants, before creating the invoking pentagram, to request the presence of each elemental guardian. It can also be sounded as you pass your chosen symbol around each quadrant of the circle. However, you should not use the bell to excess – it is better under-utilised.
The broom, or besom, was originally – and still is – a domestic artefact. It represents magically the union of male and female in the handle and the bristles and so is a tool of balance. Brooms have several uses in magick. A broom is sometimes rested horizontal to the altar to add protection, and couples jump over one in their handfasting ceremony. Most important, you should use your broom to cleanse the ritual area before every ritual.
Brooms are easily obtainable from any garden centre (you want one in the traditional ‘witches’ broomstick’ shape, not an ordinary brush). Brooms made with an ash handle and birch twigs bound with willow are traditionally recognised as being especially potent, being endowed with protective and healing energies. Some practitioners carve or paint a crescent moon at the top of the handle, others decorate theirs with their personal ruling planetary and birth sign glyphs entwined.
When cleansing the area for rituals, you might like to scatter dried lavender or pot pourri and sweep it in circles widdershins, saying:
Out with sorrow, out with pain,
Joyous things alone remain.
You can also sweep areas of your home such as uncarpeted floors, patio paths and yards to cleanse the home of negativity. Remember to sweep out of the front door, away from the house and eventually into the gutter, or if in you live in a flat, you can collect the lavender and dust in a pan and send it down the waste disposal unit.
You may also wish to cleanse the area further by sprinkling salt and pepper dissolved in water after sweeping. If you are working on carpet, you can use a very soft broom (some modern witches even hoover in circles widdershins and sprinkle the area with water in which a few drops of a cleansing flower essence, such as Glastonbury Thorn, has been added).
The broom is an Earth artefact.
The cauldron is the one ritual tool that is positively charged by being the centre of domestic life and can replace the altar as a focus for less formal magick spells. If you can obtain a flameproof cauldron with a tripod, you can, on special occasions such as Hallowe’en, light a fire out of doors and heat up a brew of herbs and spices in the cauldron. When not in use, you can keep your cauldron filled with flowers or pot pourri.
If your circle is large enough, you can place your cauldron in the centre. Then, if you are working in a group, form your circle of power around it, so that the altar is within the outer consecrated circle and you make a human inner circle with the cauldron as the hub. If you are working alone, you can have your altar in the centre with the cauldron in front of it. Alternatively, you can have a small pot or cauldron in the centre of the altar.
Experiment with the different positions both for group and solitary work and walk or dance your way around to work out the logistics. Some practitioners do not use a cauldron at all.
In your rituals, you can light a candle in front of the cauldron, fill it with sand in which to stand candles, or surround it with a circle of red candles to represent Fire. Wishes written on paper can be burned in the candles. Water darkened with mugwort may be placed in the cauldron, especially on seasonal festivals such as Hallowe’en and May Eve, and white candle wax dripped on the surface to create divinatory images that offer insights into potential paths.
You can cast flower petals into the cauldron water to get energies flowing. For banishing, add dead leaves and tip the cauldron water into a flowing source of water. You can also burn incense in the cauldron if this is the focus of a ritual.
The cauldron is a tool of Spirit or Akasha, the fifth element.
The chalice, or ritual cup, used for rituals is traditionally made of silver, but you can also use crystal, glass, stainless steel or pewter. The chalice represents the Water element and is placed in the West of the altar. Like the sword, it is a sacred Grail treasure and is a source of spiritual inspiration.
The Grail cup is most usually represented as the chalice that Christ used at the Last Supper, in which His blood was collected after the crucifixion. As such, it signifies not only a source of healing and spiritual sustenance, but also offers direct access to the godhead through the sacred blood it once contained. Tradition says that the original Grail cup was incorporated by Roman craftsmen into a gold and jewelled chalice called the Marian Chalice after Mary Magdalene. In Celtic tradition, it became the Cauldron of Dagda.
In rituals, the chalice can be filled with pure or scented water with rose petals floating on top. I have also mentioned its ritual use with the athame in male/female sacred rites, as the symbolic union of god and goddess that has in many modern covens replaced an actual sexual union (that now tends to occur in privacy between established couples only).
The chalice is also central to the sacred rite of cakes and ale that occurs at the end of formal ceremonies – the pagan and much older equivalent of the Christian holy communion. The offering of the body of the Corn God is made in the honey cakes on the pentacle, or sacred dish, and the beer or wine in the chalice is fermented from the sacrificed barley wine. In primaeval times, actual blood was used to symbolise the sacrifice of the Sacred King at Lughnassadh, the festival of the first corn harvest. The rite goes back thousands of years.
The cakes and ale are consumed by the people acting as High Priestess and Priest in a dual energy rite or by those initiated in those roles. Crumbs and wine are first offered to the Earth Mother or poured into a libation dish (a small dish for offerings). Then the priestess offers the priest a tiny cake and then takes one herself and he offers her the wine before drinking himself. The dual roles work just as well in a single-sex coven. The cakes and ale are then passed round the circle and each person partakes of the body and blood of the Earth, offering a few words of thanks for blessings received.
In some groups each person has an individual chalice set before them, but everyone still drinks one after the other, offering thanks, unless there is a communal chant of blessing before drinking.
The chalice can be filled with wine or fruit juice or water, depending on the needs and preferences of the group.
The cakes and ale ceremony and the male/female chalice rite can both be easily incorporated into a solitary ritual.
The pentacle is a symbol of the Earth and is familiar to users of Tarot packs. It is placed in the North of the altar.
It consists of a flat, round dish or disc, engraved with a pentagram within a circle. The pentacle has been a magical sign for thousands of years. The five-pointed star of the pentagram within it is a sacred symbol of Isis and the single top point is considered by many to represent the Triple Goddess.
You can place crystals or a symbol of the focus of the ritual or charged herbs on the pentacle to endow it with Earth energies. It can then be passed through the other elements or empowered by passing over the pentacle incense for Air, a candle for Fire and burning oils or water itself for the Water element.
The pentacle can be moved to the centre of the altar once the symbol on it has been fully charged. It is very easy to make a pentacle of clay, wood, wax or metal, and on it mark a pentagram with the single point extending upwards. This is what you might call the all-purpose pentagram – drawn this way it always has a positive influence.
You might also like to make a larger pentacle for holding the tiny cakes for the cakes and ale ceremony. You can find special recipes for these cakes in books but any tiny honey cakes will serve well.
The wand is a symbol of Fire and should be placed in the South of the altar.
The wand is sometimes represented by a spear. Both the wand and spear, like the athame and sword, are male symbols. The spear, another Fire symbol, is not used in magick, except occasionally in the form of a sharpened stick in sacred sex rites, when it is plunged into the cauldron or the chalice as a symbol of the sacred union of Earth and Sky, Water and Fire.
The wand is traditionally a thin piece of wood about 50 centimetres (21 inches) long, preferably cut from a living tree (some conservationists disagree unless the tree is being pruned). After a strong wind or in a forest where trees are being constantly felled, it is often possible to find a suitable branch from which the wand can be cut. It should be narrowed to a point at one end and rubbed smooth.
You can make a series of wands from different woods for your ceremonies.
Ash is a magical wood, associated with healing and positive energies.
Elder wands are symbols of faerie magick and so are good for any visualisation work.
Hazel comes from the tree of wisdom and justice and is linked with the magick of the Sun. The wand should be cut from a tree that has not yet borne fruit.
Rowan is a protective wood and so is good for defensive and banishing magick.
Willow is the tree of intuition and is said to be endowed with the blessing of the Moon.
You can also use a long, clear quartz crystal, pointed at one end and rounded at the other, as a wand. In its crystalline form, especially, the wand is used for directing healing energies from the circle to wherever they are needed.
The wand is used for directing energies and for making circles of power in the air – hence the image of the faerie godmother waving her wand – deosil for energies to attract energies and widdershins for banishing. It can be used to draw pentagrams in the air at the four quarters and it can also be used for drawing an invisible circle when you are working on carpet or another fabric that cannot be physically marked.
In some traditions, the wand is a tool of Air and so this and the athame, or the sword, are fairly interchangeable. However, the wand seems more effective for casting and uncasting circles, invoking quarters and closing power. It is also particularly good for directing energies in rites of love, healing, fertility, prosperity and abundance.
— Practical Guide to Witchcraft and Magic Spells By Cassandra Eason
The Tools Of Ritual Magick