Week 2- Goddess Knowledge Medusa

When Medusa was slain, the winged horse Pegasus sprang from her blood. The Greeks pottery Medusa as a horrifying gorgon, an ugly woman with snakes for hair; anyone who looked at her face was turned to stone. Yet her name has the same root as medicine and measure, and derives from a Greek word meaning “to protect, to rule over.” Medusa is a moon goddess, the triple-headed Great Goddess in her death aspect. She is associated with blood, so to meet her is to meet the mysteries of moon-blood or menstrual blood, sacred and terrible, in many mythologies the source of life. Medusa is serpent energy, enlivening, terrifying, impersonal. Somehow Medusa, a symbol of growth and generation that dies so that from death may come life, became a symbol of fear, for to look directly upon the divine is to face a terrifying reality.

Pegasus is instinct, wisdom, imagination, life force, and intuitive understanding.

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When Artemis Aims, When Artemis Calls

Artemis was the first goddess to call to me. She was between the branches and in the shuffle of leaves. And she called to me to a lake in British Columbia.

She called me in story and song and clear night sky.

Artemis inspired me during a Reclaiming Witchcamp in 2015. And I saw Orion in the space above my house before I left to join the group of teachers.

To join the witches.

To join the space between and beyond time.

To join the hunt for our hearts.

To continue reading… .

 

Hearth of Hellenism: How Are We Equals with the Gods?

The article I wrote in August, Freedom from Spiritual Slavery,left a bad taste in the mouths of some of my readers. I was charged with being hubris when I wrote that we “approach the gods as equals” in worship. The article was a complaint against contemporary Orthodox Christian behavior and its incompatibility with Hellenism. In Orthodox Christianity, humans are called servants/slaves (δοῦλος/doulos) of God. This is against the principles of Hellenism to think of yourself as a slave to any God because of your human nature.

To continue reading…….

Magic in Ancient Greece: Necromancy, Curses, Love Spells, and Oracles

The magical traditions of ancient Greece encompassed spells, curse tablets, drugs, potions, poisons, amulets, and talismans. For many cultures of the past, there was a very fine line between magic, superstition, religion, and science. The ancient magicians were seen as symbols of wisdom, keepers of secrets, and masters of the arts, mathematics and science, particularly chemistry. Because magicians were believed to be individuals with access to supernatural powers, they were both feared and respected.

Spells and incantations had been used by the Egyptians for thousands of years and the Greeks carried this tradition forward, as evidenced by surviving Greek papyri containing magic records that date back to the 4th and 3rd century BC.

To read the rest of this article please copy and paste this link into your browser: https://www.ancient-origins.net/history-ancient-traditions/magic-ancient-greece-necromancy-curses-love-spells-and-oracles-007348/page/0/1

Asklepios/Aesculapius – Greek/Roman God of Healing

Greek Name Ασκληπιος, Transliteration Asklêpios, Asclepius, Roman Name Aesculapius, Translation To Cut Open

To Cut Open

Asclepius, Greco-Roman marble statue C1st-2nd A.D., State Hermitage Museum

ASKLEPIOS (Asclepius) was the god of medicine. He was also the patron god, and reputed ancestor, of the Asklepiades (Asclepiades), the ancient guild of doctors.

Asklepios was the son of Apollon and the Trikkaian (Triccaean) princess Koronis (Coronis). His mother died in labour and when she was laid out on the pyre, Apollon cut the unborn child from her womb. From this Asklepios received his name which means “to cut open.” Asklepios was raised by the centaur Kheiron (Chiron) who instructed him in the art of medicine. He grew so skilled in the craft that he was able to restore the dead to life. This was a crime against the natural order and so Zeus destroyed him with a thunderbolt

To read the rest of this article please click on this link: ASKLEPIOS/Aesculapius

Agathos Daimon

Agathos Daimon means “good spirit” and is a religious observance held on the second day of each lunar month, immediately following the Noumenia.  It is the third celebration of a trio of household monthly observances.  A good spirit usually refers to a type of divine being that is less powerful than a God, is personal to each family, and can bring the family good luck, protection, or some type of assistance.  Household spirits are usually seen as either snakes or a s a young man with a horn of plenty in hand.  

I celebrate the Agathos Diamon by pouring a libation to the spirit and asking for his continued blessings on our family.  If there is something in particular that our family wishes help with, I may give an additional offering to our family’s protective spirit.  Although I know I can always approach the Gods directly, the Agathoi Diamones are seen to be helpful intermediaries between the Gods and man.  

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Enigmatic Phaistos Disc may be Ancient Hymn to Astarte, Goddess of Love

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I have been on a personal journey with the Goddess for many years. One of the very inspirations was during a visit to the museum in Crete.  The Phaistos disk has mesmerised, intrigued, and baffled many.

Here is a little more information that you to may find intriguing.

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Phaistos Disk may be prayer to mother goddess

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Ancient writing systems and their meanings absorb scientists who dedicate years of work to deciphering and sorting through arguments to determine the true meaning and purpose of writings. The latest news is that a clay disk about 15 cm in diameter from thousands of years ago has been decoded. ZME Science reported that Gareth Owens of the Technological Educational Institute of Crete (TEI) said some key words were figured out as well as the general message conveyed. The  is of fired clay from the Minoan palace of Phaistos on the Greek island of Crete. Owens said, “The best-known Minoan inscription is the Phaistos Disk. It is commonly accepted that this can be read spirally, i.e., from the rim inwards.”

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