July 27, 2016
OHIO– The Buckland Museum of Witchcraft and Magick has been in existence, off and on, since 1966. But the collection, which was once featured in publications from the New York Times to the Scholastic Voice, hasn’t been publicly displayed since Jimmy Carter was president. Now two longtime friends of Raymond Buckland – the man who brought Gardnerian witchcraft to the United States – are trying once again to make an ever-growing collection of Pagan artifacts available to the public.
The museum’s heyday was its first ten years from 1966-1976. During that time, Buckland himself housed it on Long Island where he lived. When he moved to New Hampshire, he tried to keep it up. However, by 1980, he decided to put the collection in storage. He was much in demand as a lecturer and writer, and found himself unable to devote the necessary time to the project.
The collection remained in storage for close to 20 years. Then, Buckland made arrangements to pass it on to Monte Plaisance, whose intention was to reopen the museum in New Orleans. That, unfortunately, never came to pass. As The Wild Hunt reported in 2008, attorneys were retained to negotiate the return of the artifacts to Buckland. Since that point, there have been allegations that the collection was not returned complete from its journey to New Orleans.
We contacted Michael (Monte) Plaisance about the accusations. He said, in part, “When I returned the museum [collection], all of those items were accounted for and those documents were signed off by the mediating attorney, who took the collection and brought it to whoever was the next person to handle it. […] I wish the current curator/owner of the collection the best of luck with the task ahead.” Read his full response to the allegations here.
Rev. Velvet Rieth was the next person to try to take on the project. However, Rieth became ill, so Buckland sought other curators, which he found in Toni Rotonda and Kat Tigner. Buckland has said, “These two ladies have taken on a formidable task but are doing wonderfully well with it. I have absolute trust in them and am extremely grateful to them for taking this on.” Rotonda and Tigner spoke to us about their plans for the collection.
The Wild Hunt: How did the two of you come to own this collection in the first place?
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